As it happens, visual depictions of Amish and conservative Mennonite communities already share some traits with those of Hollywood celebrities. Many of their photographs in the press look like they were taken by paparazzi: shot from discrete angles, from the side or behind, often with long telephoto lenses. Because they hold a conviction that posing for a photograph can be interpreted as a form of pride, or as an affront to the biblical commandment against graven images, conservative Anabaptists usually resist being photographed. Faraway, detached images, then, are what inform much of the public’s visual vocabulary of Plain church communities. Those who see them at all are used to seeing them from a distance.