Color Me Gone is a photobook with a circular narrative about a developing Vietnam featuring a unique dual binding system.
Gerhard Steidl is known for fanatical attention to detail and for embracing the best that technology offers. “He is so much better than anyone,” the photographer William Eggleston said.
The ISIS Hostage: One Man’s True Story of Thirteen Months in Captivity is a case study in what might be called the New War Journalism. Puk Damsgård’s unadorned chronicle of Danish photojournalist Daniel Rye’s capture, confinement and eventual release delivers a lesson as astringent as medicine: in the modern era of irregular warfare, battlefields are no longer demarcated by flags or trenches but by ideology and memory
The publishing house Phaidon releases Magnum Photobook: The Catalogue Raisonné, the first complete illustrated bibliography of 1,000 iconic photobooks created by members of the renowned photo agency
Japan is famous for its camera brands and love of photography, but outside of Daido Moriyama, most westerners would probably be hard-pressed to name a Japanese photographer. In browsing a number of titles at the Tsutaya bookstore, I was struck by the popularity of vernacular photography. And in a land replete with the highest resolution digital cameras and technical accuracy, many Japanese photographers seem to embrace film and aim for a grittier aesthetic – perhaps a photographic reflection of their concept of wabi-sabi or the acceptance of imperfection and transience.
Peter van Agtmael’s new monograph, Buzzing at the Sill published by Kehrer, is a timely collection of images of a more challenged America, a sequel to his well-celebrated book, Disco Nights September 11th. Expanding on his work created during the wars in Afghanistan and Iraq from 2006 to 2013, and their impact back home, Buzzing at the Sill, shows us a country in flux, a country in crisis, and more importantly, a country in need of better days
Dog Food 5 has just arrived on the scene and introduces the newly formed KRISIS photo agency on the world stage. Follow their exploits from the Island of Lesbos to the depths of Syria. The editors created Archive articles from Kurdistan to Canada. Including a new photo manifesto, trigger-fingers, and a tribute to a photographer that has left us. Can you identify every photographer on the cover? Dog food is free and free for all
Through the years, all of Jim Goldberg’s publishing endeavors have been worthy of attention, dating back to his seminal and highly collectable 1995 title Raised by Wolves. With each effort, Goldberg builds brilliant narrative stories, unconventional in presentation and deeply personal.
Michael Dunev has just released a significant monograph, Parallax, recently published by Poligrafa in Spain, showcasing 45 years of black and white stunning photography
2016 was an undeniably tumultuous year for the world, which has translated into a strong year for photo books. In time for the holidays we present the best new offerings, as well as highlights from our 2016 roundups in spring, summer, and fall.
Selected by Martin Parr, Roxana Marcoci and many others photo experts, including TIME’s editors
Every presidential campaign has a particular feel and color: the red, white, and blue days of JFK that ended in a sad pink boucle, the brilliant reds of Nancy Regan, the rainbow spectrum of the Obamas. But this election is perfectly captured in black and white by photographer Mark Peterson, stripping the last two years down to its bare bones, showing the warts and weirdness of democracy gone awry. The result of “the most polarized and bizarre presidential race in American history” is a new monograph, Political Theater, published by Steidl.
Photographer, editor, artistic director and museum director Gilles Mora has just released a new monograph, Antebellum, published by Texas University Press that consists of impressionistic, rarely seen images of a disappearing Deep South
When Sara Terry started printing handmade limited-edition photobooks of her work – each edition displaying only 10 images of her choice – she never expected it to attract an audience beyond her close friends. Yet, the editions, called 10(X), have caught the eyes of award-winning photographers and photo editors who are now collaborating with her
In December 1966, four photographers, Hubert Henrotte, Raymond Depardon, Hugues Vassal, Léonard de Raemyand an agent, Jean Monteux, ready for a new adventure decided to launch a photographers’ agency where everyone worked on a 50-50 basis . The photographers, shareholders or colleagues shared half of the income from the sales of their reporting and half of the costs of production. Five months later, Gilles Caron joined the young staff.
Rather than “the seasonal changes of attire,” the motif running through Morath’s best work was, he notes, “the endurance of the human creative spirit in conditions of transformation and duress.”
First published in 2013, the book draws from Lynn’s experiences at the Virginia-Pilot and from his earlier post at the Charleston Gazette in West Virginia. His photo staffs regularly won in NPPA contests and the International Pictures of the Year competitions. The Virginia-Pilot was also awarded Best Use of Pictures three times under Lynn’s direction.