Photographer Jim Jocoy’s newest book shows a brightly colored and seldom-shown side to the punk scene.
The world’s largest photography competition has announced the shortlist of photographs for the 2017 competition. In its tenth year, the Sony World Photography Awards received 227,596 entries from 183 countries.
The overall winners will be announced on April 20, 2017. Check out some of our favorite shortlisted images from the Professional category below.
I was on a bus heading back to New York when I got news from Egypt that my brother Abdullah had been released from solitary confinement. I was so overwhelmed with joy, all I could do was scream hysterically. Then I realized: Our friend and colleague Shawkan wasn’t so lucky. I grew quiet, as the thought of Shawkan still imprisoned left me wondering. When would Shawkan and his family have their moment of relief and happiness?
We asked seven contemporary photographers across different genres to tell us about their favorite spot to chase shadows. From Beirut to NYC, Madrid to Guatemala, these artists shared their most sacred sites for high contrast, dark shadows, and bright light
Noel Kerns is an American time traveler. His camera has taken him on road trips across Texas, down Route 66, and through the ghost towns of the American West. He’s found these bygone patches of the United States under the light of the full moon, synching his trips with the calendar of lunar phases.
“That was unconstitutional,” he said. “If you exclude reporters from briefings that they otherwise have a right to attend because you don’t like their reporting, then you have engaged in viewpoint discrimination.” Viewpoint discrimination by the government in a public forum is almost always unconstitutional.
The Facebook comments “show pretty clearly that as soon as there are perceptions that the United States has wavered on its commitment to press freedom, then countries with authoritarian tendencies are very quick to abandon any pretense of allowing the media to operate freely,” said Shawn W. Crispin, the Bangkok-based Southeast Asia representative for the Committee to Protect Journalists, a nonpartisan advocacy group based in New York
Istanbul photographer Ekin Kucuk started feeding the stray cats on her street shortly after her beloved dogs of many years died. She was grieving, and one of the few things that gave her comfort was watching the neighborhood cats gather round her garden in hopes of finding a dish of food. Her relationship with the cats began this way, with no intention of photographing their antics.
Antoine Bruy’s myriad of projects focus on how we interact with our environments, worlds we build, and spaces we inhabit whether physical or internal. His project, The White Man’s Hole, is part of his Outback Mythologies series, all photographed in Southern Australia. Using a black and white palette, his photographs are set in a bleak mining town revealing the lives of dreamers and losers, hoping for something yet discovered.
After photographing social inequality in his native Slovenia and internationally, Jost Franko has concluded that “profit over people” is the ideology that propels some of the world’s most profitable businesses. With his latest project, “Cotton Black, Cotton Blue,” he examined a global industry that from plantation to factory can be merciless and grueling for its workforce, which can even include children.
This series originated with “Los Panzudos Mercedarios”, the stout guardians of the neighborhood of La Merced in San Cristóbal de las Casas in Chiapas, México. The Panzudos represent the sins: the more sins a person has to expiate, the bigger and uglier his attire will be, the better to cure his sins
Your neighbours beheaded, the terror of the religious police: in this extract from a new book, a Syrian activist, interviewed below, records the horror in his city
It was shocking news to find out about the death of Ren Hang this past Thursday. Ren Hang, 29, was one of the most prominent Chinese photographers of his time, and his pictures are some of the most recognizable throughout the world
Each year, the contest adds an “Impact” category about a major news topic. Last year’s was “Exodus,” based on the global refugee crisis. This year, the category was “The Islamic State Conflict” and first place was awarded to Alessio Romenzi.
Rick Shaw, the director of POYi, said the quality of work in that category showed that visual journalists “continue to put themselves in harm’s way and continue to shed light on the people who are affected by the conflict.”
When combatants lay down their weapons, it’s merely the beginning of peace. The harder task, especially in a conflict that has dragged on for decades, it to find social peace. The Spanish photographer Alvaro Ybarra found that to be the case in Colombia, where lawmakers last year approved a peace accord with the FARC rebels
In our February “Exposures” story about Richard Mosse’s new film and book, “Incoming,” Mosse spoke about why he decided to use a thermal imaging camera in order to create a body of work about the refugee crisis. During the same interview, Mosse discussed the logistical challenges of using a tool meant for military surveillance to create art.
There are no plans to close any manufacturing plants, and they still want to release a high-end compact ala the Nikon DL line at some point, but the company says they will pare down the number of models they release.
He’s not in Manhattan anymore. This New York-iest of politicians, now an idiosyncratic, write-your-own-rules president, has stumbled into the most conventional of Washington traps: believing he can master an entrenched political press corps with far deeper connections to the permanent government of federal law enforcement and executive department officials than he has.
His work is often referred to Cubism considering that his creative process includes a construction but the results resemble a deconstruction. Thomas Kellner’s works imitate the wandering look of the eye, showing us segments of the total which come together as one image. Therefore his photographs do not deconstruct architecture but reconstruct our view on it. At the same time his work also reflects the flood of pictures we live in nowadays and furthermore contains the question of decaying cultural values