The White Line | by Rosa Rodriguez A vast ice desert unfolds, inhospitable and enigmatic, with untouched beauty. In the regions of Kulusuk and Qaanaaq in Greenland, Yamalia in Siberia, and Norwegia…
You can feel when everything is coming into place, the subject, the light and the mood. When you’ve captured that moment, it is very special, very exciting. The whole parade is like a kind of dance with strangers and you need to be at the rhythm of the street. Then it’s fun and challenging. Even when you miss the moment or are not seeing it, it’s ok, it will come soon enough. Patience is key and great photographs come from those who wait.
The darkroom has been an integral part of my practice, almost as important as taking photos, irretrievably connected. I tried digital in the past, but I was never satisfied with the results or the process. In front of the screen, it’s easy to be too controlling, to be perfect, it’s too mental. Analogue work is organic, you touch it, you smell it, you feel it
I was introduced to Brian Ulrich’s work during graduate school for my research on photographic representation of the effect of capitalism and consumers’ behavior in the United States. At the time I was working on a documentary series on the intersection of consumption and cultural practices in diasporic communities displayed in various Vietnamese grocery stores
I want to thank everyone who submitted to The Feature Shoot Emerging Photography Awards. We had many amazing entries, and I’m always astounded by the myriad of ways photographers tell…
“I thought to myself, ‘I should be there, I should be taking these pictures.’ So, I quit my job and went to Sarajevo where the war had just ended,” Chin stated.
Kyler Zeleny has a particular way of seeing the world, or more specifically, seeing the Canadian prairie, that is both historical and theatrical, cinematic and apocalyptic. When combined, the results are riveting. His newest book effort is the the final chapter in his prairie trilogy. Bury Me in the Back Forty, published by The Velvet
Not all painters use a paint brush. In the case of Peter Essick, he creates artful aerials with a drone and a particularly inspired vision. Essick has recently released a book of his efforts, Work In Progress, published by Fall Line Press. This four-year project of drone photographs of construction sites is an extraordinary re-seeing
To say that I’m a fan of Meryl Meisler’s photographs would be an understatement. Her approach ot documenting life is what drew me to photography — black and white square photographs that so perfectly capture a moment in time, seen with humor and pathos. Her archives seem endless as she has continued to release amazing bodies