Tag: Massimo Vitali

  • photo-eye | BLOG: Light Break: Reviewed by Blake Andrews

    “That book is enormous!” cried my wife upon spotting Entering a New World, the new monograph by Italian photographer Massimo Vitali. Her reaction is a good summary review. Every aspect of the book is gargantuan. It’s more than 14 inches across, 11 inches tall, weighs 6.4 pounds, and covers ten years of shooting. For most of his career, Vitali has used large-format cameras to absorb acres of subject matter all at once, every corner reproduced in exquisite detail. There are no half measures here. Instead, we are presented with a full-corpus embrace of the world.
  • Brazil Through the Lens of Massimo Vitali

  • First Glance: LOOK3 Festival of the Photograph


    Each year’s festival centers around three core photographers, called INSight artists, who present an exhibition and participate in on-stage interviews to speak about their process, inspiration and work. This year’s honorees are Antonin Kratochvil, Massimo Vitali, and Nan Goldin, —all artists presenting work during the festival’s MASTERS Talks series. Each of their shows will focus on the theme of “HOME.”

    Link: LOOK3 Festival of the Photograph – LightBox
  • LOOK3 Preview: Goldin, Kratochvil, Vitali Headline Fest Curated by Kathy Ryan and Scott Thode

    Substantial exhibitions of the work of Nan Goldin, Massimo Vitali and Antonin Kratochvil are the major highlights, and the three artists will also talk about their work, with Goldin appearing in a unique conversation with Sally Mann. In addition the festival will feature “Master’s Talks” and exhibitions by Christopher Anderson, LaToya Ruby Frazier, Ashley Gilbertson, David Liitschwager, Steve McCurry, Mary Ellen Mark and Martin Bell, as well as a special exhibition of George Steinmetz photographs hung from trees in downtown Charlottesville.

    Link: LOOK3 Preview: Goldin, Kratochvil, Vitali Headline Fest Curated by Kathy Ryan and Scott Thode
  • Massimo Vitali, Lucca, Italy – Feature Shoot


    Link: Massimo Vitali, Lucca, Italy – Feature Shoot:

    Massimo Vitali was born in Como, Italy, in 1944. He moved to London after high school, where he studied Photography at the London College of Printing. In the early Sixties he started working as a photojournalist, collaborating with many magazines and agencies in Italy and in Europe. His series of Italian beach panoramas began in the light of drastic political changes in Italy. Massimo started to observe his fellow countrymen very carefully. He depicted a “sanitized, complacent view of Italian normalities, at the same time revealing “the inner conditions and disturbances of normality: its cosmetic fakery, sexual innuendo, commodified leisure, deluded sense of affluence, and rigid conformism.