Taking Visual Journalism Into the Sky With Drones

Josh Haner, a photographer for The Times, discussed how the use of drones has changed storytelling.

How do New York Times journalists use technology in their jobs and in their personal lives? Josh Haner, a photographer for The Times, discussed the tech he’s using.

Convention Storybook

The New York Times has assembled a “Convention Storybook,” an online archive of the conventions. It is a look inside the two parties as they sought to articulate their platforms and positions as clearly as possible, without interference. The “Convention Storybook” presents photographs by Stephen Crowley, Josh Haner, Todd Heisler, Doug Mills, Damon Winter, Mike Appleton, Travis Dove, Edward Linsmier, Luke Sharrett, Robert Stolarik, Max Whitaker and Jim Wilson. Michael Barbaro provided audio and it was produced by Nick Corasaniti, Jacqueline Myint and Cornelius Schmid

James Estrin & Josh Haner (NY Times Lens Blog): In Conversation

We see hundreds of projects a month.   There are scores of stories on Gaza, African immigrants in Europe, and drug/gang violence in Latin America, Which doesn’t mean that these are not important subjects.  It just means that to get attention it has to have a different approach or style.  It’s exciting when we see a well-photographed story on a subject that we haven’t seen before.
When Marco Baroncini said he wanted to show us his black and white photographs of the Roma (gypsies) in Rome, we told him that the bar on black and white photos of gypsies was very high. It had to be at least half as good as Koudelka’s work. To our great surprise it was wonderful and Lens published it. 

We particularly want to encourage people to photograph their own communities rather than traveling abroad for professional recognition and legitimacy.

Readers’ Photos: Polaroid Gallery – Lens Blog


Lens Blog – NYTimes.com says:

In all, Josh Haner, a Times photographer and picture editor, found that he could not winnow the selection to any fewer than 406 exceptional Polaroids, all of which are presented here. The gallery itself makes the case. This much creative energy ought to be given the film it needs to thrive.