When should you bring a photographic project to an end? LaToya Ruby Frazier, Justine Kurland, Alec Soth, and more reflect on how to know when a series of work is complete.
Over the course of her career, curator and lecturer Sasha Wolf has heard countless young photographers say they often feel adrift in their own practices, wondering if they are doing it the “right” way. This inspired her to seek out insights from a wide range of photographers about their approaches to making photographs and a sustained a body of work, which are brought together in PhotoWork: Forty Photographers on Process and Practice. Structured as a Proust-like questionnaire, the responses from both established and newly emerging photographers reveal that there is no single path. Below, eleven artists respond to the question: How do you know when a body of work is finished?
What comes first–the idea for a project, or the images themselves?
Over the course of her career, curator and lecturer Sasha Wolf has heard countless young photographers say they often feel adrift in their own practices, wondering if they are doing it the “right” way. She was inspired to seek insight from a wide range of photographers about their approaches to making photographs, and, more important, a sustained body of work. Their responses are compiled in PhotoWork: Forty Photographers on Process and Practice. Below, twelve artists respond to the first question in the interview series:
a letter that one of Winogrand’s three wives had sent Winogrand. She complained that he hadn’t paid his taxes or allowed her to have a child because “all he wanted to do was take photographs and talk about his dreams.”
The debate years ago on whether film was "better" than digital ruffled a lot of feathers. The old guard held tight to their precious rolls...
Paul Graham's newest book from Mack books Films is an homage to that basic component of grain which is not so easily mimicked by pixels.
lens culture: Deutsche Börse Photography Prize 2009
The four finalists for the annual Deutsche Börse Photography Prize in 2009 are Paul Graham, Emily Jacir, Tod Papageorge and Taryn Simon. The big winner will be awarded the prize of £30,000 on March 25, 2009.
Photographer Paul Graham: fragments of life |
Art and design |
Paul Graham was one of the very first British documentary photographers to work in colour. His first major series of pictures, made in 1981-2 along the A1 motorway in England, later published as A1 – the Great North Road, caught the country on the cusp of a new mood. In the motorway cafes of the industrial north, customers, mainly men, sat alone, detached from and somehow mocked by the brightly coloured, pre-formed plastic interiors, the brand names and neon signs.