It’s not hard to understand why the Canon 5D Mark II, and now the Nikon D300, have become so popular. But to make these files Final Cut Pro compliant there remain a number of technical hurdles.
To help with this, MediaStorm has documented our workflow with each of these cameras in two separate PDFs. These documents detail the transcoding process in Compressor, demonstrate how to use Apple’s Qmaster to get the most out of your computer’s processors, and describe how to properly set up a default Final Cut sequence setting for your respective footage.
Editor’s Choice Links
- Why we must see – Conscientious
- Breaking News: Some Bullshit Happening Somewhere
- Vee Speers, Paris – Feature Shoot
- How Will The End Of Print Journalism Affect Old Loons Who Hoard Newspapers?
- Showcase: An African Panorama – Lens
- Human-flesh Search Engines in China – NYTimes.com
- PDN’s 30 2010




Recent Comments
Hah. True, I did enjoy it. I just think that by bringing attention to these uninformed rants, it validates them in a twisted way. I am not saying they should be ignored, but these internet stars are just looking for some attention, attempting to stir the pot. But hey, thats what the internet is for, I guess it is up to me to decide where to click. But yeah, I still like your blog. I used to follow fly on the wall religiously when I was just starting. Haven’t published anymore skinhead photos yet, I will let you know when....
My linking to an article here is never an endorsement of its position. Readers should form their own opinions. I see the “Larry Towell needs an ass-kicking” post as part of a trend that really picked up during the 2006 Lebanon war and has flared up again with Haiti, where people are voicing critical opinions of photojournalism. Such criticisms should be faced head on, and it’s pretty cowardly that the “hack” does not allow comments on his post so there could be a response to his inflammatory post. As....
Why are you giving this hack’s jealous opinions any attention? Same with the flickr photographer that is quitting photography?.