Edelman reminded the audience that artists can “always raise prices but can’t lower them.” Photographers should start low, and if an edition sells quickly the price should increase slowly.
And then you write, “realize that my advice isn’t probably any good– because I have never made a full-time living just from shooting.”
And I can’t help but wonder why on earth didn’t you just lead with that sentence?
From business and gear advice to staying true to your inner artist, and just simply being nice – take notes, cause these nuggets of wisdom are pure gold
if you are a photographer, next time you disagree with an edit, keep in mind that this might be the last time you get a chance to complain. Next time, you could be facing an algorithm who will not care about your comments
“There are 880 billion images taken in one year. We are all documenting and taking pictures through these new vehicles,” he recently told the New York Times. “But who is making sense of that? You still need to have a professional eye being an arbiter of this communication, and that is the role I see ICP playing.”
While the industry raves about the possibilities of in-image buying, none of its major players seem to gain any traction. In fact, after Stipple last spring, it is UK -based Taggstar‘s turn to close its door on this model.
I know a lot of professional photographers who become miserable after taking their passion (photography) and making it their business.
photographers called out a quarterly French photography magazine, Selektor, for publishing a list of 100 photographers to follow on Tumblr that included just eight women
I see this as a tremendous time for professional photographers to be in the vanguard for visual storytelling.
It’s a typical Thursday night in New York when, on the corner of 10th Avenue and 13th Street, a white Cadillac and a blue Mini Cooper pull over. Five photographers emerge from the cars, carrying paint rollers and pots of wheat-based glue. As three of them quickly and expertly apply glue to a four-by-three-foot section of virgin brick wall across from the Standard Hotel, the other two carefully roll out and paste large sections of a black-and-white photograph.
Many photographers and photo editors have asked me to look into rates for social media use. I reached out to Suzanne Sease for the first of what will be a series of articles looking into the pricing and usage.
Fresh out of college, Kyle Johnson thought he’d wanted a career in what he’d majored in: video editing. But after a year in a corporate editing job, the Seattleite became bored and quit to work at a coffee shop. He started shooting pictures of friends’ bands on the side, and realized photography was a better fit for him. In 2010, he’d found enough local photography work to quit the coffee shop job and focus on a freelance career
Ansel Adams called him ‘the antichrist’ and wanted him written out of history. But William Mortensen’s grotesque photographs of death, nudity and torture and are now having their day. Chris Campion pays tribute to a master of the macabre
While there’s clear demand, there’s ambiguity over how best to monetize using an embedded feature: per-impression fee, subscription, in-image advertising, data mining? Interestingly, photo-tech seems much more interested in plotting new paths than its retail-focused counterparts
TIME LightBox’s curators series invites top photography curators from around the world to present and discuss photography of their choosing in an effort to learn more about their curatorial preferences and the path from individual images to full-fledged exhibitions. This month, TIME invited Deborah Willis, Chair of the Department of Photography & Imaging at New York University’s Tisch School of the Arts to discuss how the past both shapes and influences modern photography.
This time of year the Brooklyn waterfront has plenty of contenders: from Pulitzer Prize-winning photojournalists to up-and-coming photographers (and even a selection of Instagram images from around the world). Welcome to Photoville, the annual pop-up village and open-air mega-exhibit that’s showcased in cargo containers transformed into galleries.
We’ve been looking forward to Photoville 2014 for months now and it’s finally upon us (opening tonight). An event composed of over 50 photo exhibitions cleverly installed in repurposed shipping containers, Photoville, now in its third year, brings together emerging and established artists and curators from around the world. Along with a plethora of exhibitions (there is something for everyone), Photoville also offers a diverse selection of artist panels, talks, and workshops. Here are a few we are especially excited to check out.
This year’s auction will be held online through Paddle 8 and includes photographs contributed by Ed Kashi, Vince Musi, Melissa Farlow, Randy Olson, Damon Winter, Todd Heisler, Ami Vitale and many, many other accomplished photographers. The auction will begin on September 2, 2014 and will end on September 16.
The Space Between: Redefining Public and Personal in Smartphone Photography is curated by photographer and film maker Henry Jacobson, and through a survey of 10 photographers, one collective and one collaborative project, delves into the never-ending debate around smartphones and their function as cameras capable of capturing a moment in time and distributing it all over the world in a matter of seconds.