Documenting his journey from Oakland to attend the historic March on Washington, Kamal X’s monochrome images capture the love, power and strength of 2020’s charged summer of Black Lives Matter protests
Documenting his journey from Oakland to attend the historic March on Washington, Kamal X’s monochrome images capture the love, power and strength of 2020’s charged summer of Black Lives Matter protests.
In the liminal space between mountains and rivers, Yan Sun creates images suffused with Chinese history, renewing the subjects of traditional painting with his contemporary photographic observation
In the liminal space between mountains and rivers, Yan Sun creates images suffused with Chinese history, renewing the subjects of traditional painting with his contemporary photographic observation.
That’s also why I struggle to exhibit the work. It needs to be seen as a book because a collection of photographs on the wall doesn’t do it. You need to see it as this package with the poor images, the imperfect, the perfect. With that packaging I feel satisfied that I communicated what I needed to communicate. But there will be more. It’s to be continued. It’s happening. It’s still coming for me. I haven’t said everything.
We are re-running last year’s MOTHER exhibition, just for fun! What a complete pleasure to spend time with your hundreds of submissions and see all the considerations of MOTHER. Thank you for joining in this 5 part exhibition, so keep scrolling. For those who celebrate, Happy Mother’s Day, and for those who don’t, thank you
What a complete pleasure to spend time with your hundreds of submissions and see all the considerations of MOTHER. Thank you for joining in this 5 part exhibition, so keep scrolling. For those who celebrate, Happy Mother’s Day, and for those who don’t, thank you for celebrating Mother nature and mothering in the animal world. No matter, enjoy the exhibition!
Copyright holders can claim damages for copyright infringements that occurred years or even decades ago, the U.S. Supreme Court has clarified. In a majority decision, the Court rejected the lower court’s argument that there’s a three-year time limit for damages. Older claims are fair game, as long as the lawsuit is filed within three years of ‘discovering’ an infringement.
(Stranger Fruit by Jon Henry published by Monolith Editions. Stranger Fruit sold out in six weeks, and went into a second edition, with solo shows at Abakus Projects, UCR Arts and Photographic Center Northwest, and press including, the Boston Globe, Hyperallergic, Dazed UK, the Gaudian and selected as one of the best photo books of
The interesting books design an experience that is rooted in the projects concept and narrative. The design language echoes the content and clarifies and strengthens the work. Every detail contributes to the experiential arc.
She may be America’s foremost social documentary photographer, now with a survey at the Museum of Modern Art. “All I’m doing is showing up as a vessel.”
She may be America’s foremost social documentary photographer, now with a survey at the Museum of Modern Art. “All I’m doing is showing up as a vessel.”
Bedford Gallery has recently opened its latest exhibition, Re-Discovering Native America: Stories in Motion with The Red Road Project, a photo-docuseries which highlights and celebrates inspiring stories of present-day NativeAmerican individuals and communities by providing a platform for them to tell their stories of the past, present, and future in their own voices and words
Since founding the Red Road Project in 2013, multicultural friend-and-artist duo Danielle SeeWalker (Hunkpapa and Oglala Lakota) and Carlotta Cardana, who was born and raised in Northern Italy, have been committed to documenting the stories and teachings of contemporary Native people and communities who are enacting positive change and celebrating their cultural heritage despite the long, complicated historical trauma faced by Indigenous communities in the United
From person-to-person coaching and intensive hands-on seminars to interactive online courses and media reporting, Poynter helps journalists sharpen skills and elevate storytelling throughout their careers.
The Pulitzer Board’s citation called the AP’s work “poignant photographs chronicling unprecedented masses of migrants and their arduous journey north from Colombia to the border of the United States.”
Debuting its tour at the Herbert Art Gallery & Museum in Coventry, After the End of History: British Working Class Photography 1998–2024has been curated by writer and photographer Johny Pitts, with the exhibition’s title wittily alluding to Francis Fukuyama’s essay titled The End of History, citing his unfulfilled anticipation of global stability. As Lillian Wilkie examines, Pitts navigates the sociocultural turn of neoliberalism and creates a space for multiple, even conflicting truths of working-class life, challenging the dominance of singular historical narratives and entrenched social hierarchies.
Debuting its tour at the Herbert Art Gallery & Museum in Coventry, After the End of History: British Working Class Photography 1998–2024, has been curated by writer and photographer Johny Pitts, with the exhibition’s title wittily alluding to Francis Fukuyama’s essay titled The End of History, citing an unfulfilled anticipation of global stability. As Lillian Wilkie examines, Pitts navigates the sociocultural turn of neoliberalism and creates a space for multiple, even conflicting truths of working-class life, challenging the dominance of singular historical narratives and entrenched social hierarchies.
But a project, and I think this aspect is widely acknowledged, creates a problem: when do you end it? If you’re shoehorned into a time schedule by your teacher, that will give you a parameter. Of course, everybody knows that your project might not in fact be done in a semester or year. In addition, the inclination by many photographers is to let projects run longer than they need to. The right point when to finish it is often difficult to find.
It’s estimated that more than 50% of Gaza’s buildings have been destroyed or damaged and approximately 1.7 million people have been displaced since the offensive began
Photographer Mohammed Salem with Reuters captured the arresting prize-winning image in Palestine. Captured just days after his wife gave birth, Salem’s image shows Inas Abu Maamar, age 36, holding the body of her niece, Saly, five, who was killed along with her mother and sister by an Israeli missile strike near their home in Khan Younis, Gaza.