The more than 80 images showcased on the following pages were submitted by photographers who found picture-worthy moments in places as diverse as Antarctica and the Libyan desert, as well as locations that hit a little closer to home. So whether it’s Faisal Almalki’s snapshot of a man and his camel in Cairo or Ramin Talaie’s photograph of more than 2,500 Lubavitcher Rabbis in Brooklyn that catches your eye, these entries will give you a glimpse of the world.
The contest was judged in six categories: Human Condition, Extreme Exploration, Urban Landscapes, Snapshots, Wilderness and Open Series. The judges’ choices for Grand Prize and First Place in each category are shown on the followin
I got sent to Miami for three days for The New York Times for a piece on the Miami art scene post Art Basel. I can’t really say much more than it was an amazing time, met some really chill people and got a chance to just wander and make photos I wanted to make. We don’t get to do nearly as much of that these days in our business, so I took full advantage of making wrong turns, finding random wi-fi spots (thank you Denny’s), and taking in some spectacular shows.
These are only a fraction of the 80-picture edit I sent, but I’ll drop a few more on this blog in a few days when I get around to editing my stuff from my random side-trip to the fashion district – which is about as close to painted wall heaven as I have ever been.
One of the most striking new bodies of work I’ve seen recently is a series of photographs made by the 30 year old photojournalist Jehad Nga. Taken in a Somalian café and lit only by a single shaft on sunlight, the images illuminate their subjects in the clandestine manner of Walker Evans’ subway pictures or Harry Callahan’s “Women Lost in Thought”.
Nga was born in Kansas, but moved soon after, first to Libya and then to London. In his early 20s he was living in Los Angeles and taking courses at UCLA, when he came across the book “Digital Diaries” by Natasha Merritt. The book, a collection of sexually intimate photos made with a digital point-and-shoot, convinced Nga that he could become a photographer. One year later he was traveling through the Middle East taking pictures.
Richard Barnes has three interesting projects on his website. I absolutely love Murmur, which I originally came across on Mrs. Deane. It reminds me of Nicolai Howalt and Trine Søndergaard’s series Dying Birds, but I like how Barnes has captured the mysterious patterns that the birds make.
Thirteen years ago, Chicago Tribune photographer Scott Strazzante began visiting a family farm. Over the years he took thousand of pictures of the couple and their land and all the creatures that lived there. In 2002 he chronicled the farm’s end. Call it death, if you will. Call it progress, if you must
“…I was determined to one day go back to their land and see what happened to it…
He found, on what had been the farm’s 119 acres, a subdivision called Willow Walk. The results are a photographic wonder, as the past bleeds into and is reflected in the present.
My LIfe at f/22: 2007 Pictures of the Year.: “With the advent of contest season, I have been reviewing and editing my pictures from the past year. I am not very eloquent when it comes to talking about photography, but if you are interested, have a look at the following slide show.”
MediaStorm: Rape of a Nation by Marcus Bleasdale: “The Democratic Republic of Congo (DRC) is home to the deadliest war in the world today. An estimated 5.4 million people have died since 1998, the largest death toll since the Second World War, according to the International Rescue Committee (IRC).
IRC reports that as many as 45,000 people die each month in the Congo. Most deaths are due to easily preventable and curable conditions, such as malaria, diarrhea, pneumonia, malnutrition, and neonatal problems and are byproducts of a collapsed healthcare system and a devastated economy.
The people living in the mining towns of eastern Congo are among the worst off. Militia groups and government forces battle on a daily basis for control of the mineral-rich areas where they can exploit gold, coltan, cassiterite and diamonds.
After successive waves of fighting and ten years of war, there are no hospitals, few roads and limited NGO and UN presence because it is too dangerous to work in many of these regions. The West’s desire for minerals and gems has contributed to a fundamental breakdown in the social structure.”
TheStar.com: “Twenty days. Twenty thousand still images. A single message. Toronto Star photographer Lucas Oleniuk captures the issue of global warming in a video created entirely by using still images.
Back To Shooting: I need to write things down: “I neglected to enter POY this year, because I thought I only had a couple images worth entering, both in the pictorial category. I forgot that when I left Lincoln, I thought I might have a good sports portfolio. So for your viewing pleasure, here’s what I could have entered, if I had stayed on top of things.”
I turned on my flash, but just before resetting the lens, I turned and glanced back at her car.
That’s when I heard three shots. I knew from the sound that they were fired close to her car. I watched her drop down through the sunroof. Instinctively, I raised my camera, my finger pressed down on the shutter, starting to shoot without looking.
Just as the camera came up in front of my face, the bomb went off.”