New York Times photographer Lynsey Addario is speaking publicly about sexual aggression she experienced while detained in Libya last month by forces loyal to Muammar Qaddafi. Addario was held for six days with Times colleagues Anthony Shadid, Stephen Farr
You know, I actually wanted to shame the Libyans. It's very important that they understand how embarrassing, how gross it is, and what a bad name it gives to other Muslim countries. I've gotten emails from translators and drivers all around the Middle East just saying, "I'm so sorry that this happened to you," and "I'm so embarrassed that this has happened to you. We are not like that." Libyans need to be a little more introspective about what kind of society produces these kinds of people. So when I went forward I wanted it to get out that this kind of behavior, which is just unacceptable, is going on.
Lynsey Addario, newly released from captivity in Libya, tells why it is important that wars are covered by female photographers as well as men.
I was reading the feedback to the account that Anthony, Tyler, Steve and I wrote. (“Four Times Journalists Held Captive in Libya Faced Days of Brutality.”) Some comments said: “How dare a woman go to a war zone?” and “How could The New York Times let a woman go to the war zone?”
To me, that’s grossly offensive. This is my life, and I make my own decisions.
If a woman wants to be a war photographer, she should. It’s important. Women offer a different perspective. We have access to women on a different level than men have, just as male photographers have a different relationship with the men they’re covering.
Four New York Times journalists held since Tuesday by pro-Qaddafi forces in Libya will be released today, Libyan government officials have told the US State Department. The Libyan government says that the four journalists, who include photographers Lynsey
Four New York Times journalists held since Tuesday by pro-Qaddafi forces in Libya will be released today, Libyan government officials have told the US State Department. The Libyan government says that the four journalists, who include photographers Lynsey Addario and Tyler Hicks, were arrested in Ajdabiya when the Libyan army swept into the rebel-controlled city.
Photojournalist Lynsey Addario's husband, journalist Paul de Bendern, today said on CNN that the first thing he'll say to his wife who is missing in action in Libya when she returns is, "You've gotta come back here because we've got to have kids."
The missing journalists are Anthony Shadid, the Beirut bureau chief and twice winner of the Pulitzer Prize for foreign reporting; Stephen Farrell, a reporter and videographer who was kidnapped by the Taliban in 2009 and rescued by British commandos; and two photographers, Tyler Hicks and Lynsey Addario, who have worked extensively in the Middle East and Africa.
Lynsey Addario, on assignment in Libya, describes the challenges photographers face, including drivers who won’t go anywhere near the front.
It was pretty scary. The journalist’s instinct is to want to go as far forward as possible. But our drivers refused. Two drivers today refused to go forward. They’re drivers; they’re not journalists. So a lot of them just said, “We’re not going to take you forward.”
Haiti has always been a land of beauty and pain, of light and darkness. When a catastrophic earthquake hit the island on Tuesday, January 12th, the world was shaken by the magnitude of the destruction and human suffering. In this story for VII The Magazine, photographers James Nachtwey, Ron Haviv, Lynsey Addario and Benjamin Lowy provide a heart-wrenching look at this disaster and its aftermath.
“Addario’s dedication to demystifying foreign cultures and exposing the tragic consequences of human conflict is drawing much-needed attention to conflict zones around the world and providing a valuable historical record for future generations,” the MacArthur Foundation wrote in a statement announcing her award.
On Assignment: The Afghan Election
On Assignment: The Afghan Election – Lens Blog – NYTimes.com:
Lynsey Addario, a freelance photographer who has been taking pictures in Afghanistan since 2000, returned recently to shoot photos of the campaign leading up the presidential election on Aug. 20. Ms. Addario says she has never seen Afghans as excited about an election. “People are talking about change, people are talking about who might win,” says Ms. Addario, who is represented by VII photo agency and whose work appears regularly in The Times.
THREE PHOTOGRAPHERS JOIN VII NETWORK
Lynsey Addario, Ziyah Gafić, and Seamus Murphy have been invited to join VII Network.
On Friday, from the American Hospital in Istanbul, Lynsey Addario sent the following message to Michele McNally, an assistant managing editor.
Hi just got to turkey and am in american hosp here. What a gigantic difference from pakistan! Its like I’ve spent the last five days in a cave! They have me strapped up in this figure 8 sling, trying to pull my bones apart. Doctors now are discussing surgery. Collar bones banging into each other and it is sooooooooo painful.
The Times is gathering a fund to give to the six children of the driver, Raza Khan, for whom he was the sole provider.
A Bloody Stalemate In Afghanistan – Korengal Valley – New York Times
Photo by Lynsey Addario for The New York Times
As I went to get some hot chocolate in the dining tent, the peaceful night was shattered by mortars, rockets and machine-gun fire banging and bursting around us. It was a coordinated attack on all the fire bases. It didn’t take long to understand why so many soldiers were taking antidepressants. The soldiers were on a 15-month tour that included just 18 days off. Many of them were “stop-lossed,” meaning their contracts were extended because the army is stretched so thin. You are not allowed to refuse these extensions. And they felt eclipsed by Iraq. As Sgt. Erick Gallardo put it: “We don’t get supplies, assets. We scrounge for everything and live a lot more rugged. But we know the war is here. We got unfinished business.”
For sanity, all they had was the medics’ tent, video games and movies — “Gladiator,” “Conan the Barbarian,” “Dogma,” Monty Python. Down the road in the Pech Valley, soldiers played cricket with Afghan kids and had organized boxing and soccer matches. Lt. Kareem Hernandez, a New Yorker running a base on the Pech River, regularly bantered over dinner with the Afghan police. Neighbors would come by with tips. But here in the Korengal, the soldiers were completely alienated from the local culture. One night while watching a scene from HBO’s “Rome” in which a Roman soldier tells a slave he wants to marry her, a soldier asked which century the story was set in. “First B.C. or A.D.,” said another soldier. The first shook his head: “And they’re still living like this 800 meters outside the wire.”