Meet the twenty winning artists recognized by Aperture and Google’s Creator Labs for their exceptional photographic visions.
This summer, Aperture and Google’s Creator Labs teamed up to launch a new initiative, the Creator Labs Photo Fund, aimed at providing financial support to photographers in the wake of COVID-19. Selected by Aperture’s editors, the twenty winning artists are recognized for their exceptional vision as well as the strength and originality of their portfolios, and will be awarded a prize of $5,000 each to sustain their work and practice.
"Everything seems somehow familiar and distant at the same time. It is as if time has wedged us between the fever dream of summer and the insoluble gaslighting conjured up from what was believed to be a significantly flawed, but tolerable near past"
“Everything seems somehow familiar and distant at the same time. It is as if time has wedged us between the fever dream of summer and the insoluble gaslighting conjured up from what was believed to be a significantly flawed, but tolerable near past”
"The Seven Cities" is the third in his series called "The Invisible Yoke." Here he looks at the people and places of Hampton Roads, and at the weight of memory.
Eich’s latest photography book, “The Seven Cities,” is a look at the places and people that make up Hampton Roads. It shows the variety that anyone can discover in an hour’s drive from an oyster roast in Suffolk to a Russian Orthodox Church service in Virginia Beach to an Amtrak bus station stop in Newport News. It also illuminates the grief, hope, anxiety and laughter of its people.
Matt Eich Say Hello to Everybody, OK? [ EPF 2019 FINALIST ] In 2019-2020 I will be commuting from Charlottesville, Virginia to Washington, D.C. via train on a weekly basis. I also intend to walk …
In 2019-2020 I will be commuting from Charlottesville, Virginia to Washington, D.C. via train on a weekly basis. I also intend to walk the train line in intervals, photographing the scenes I encounter on its peripheries. I view the train line as an artery between my home in Charlottesville (where my heart stays), and Washington, DC, the seat of power in the United States. During my days in Washington, DC I will document the dichotomy between the powerful and the powerless. During my days in Charlottesville, I will photograph my own family, and my community. The background for these images are the final days of Trump’s first term in office, and the lead-up to the next Presidential elections. By juxtaposing powerful circles in Washington, DC with the recovering community of Charlottesville, VA, and the largely rural area in between, I will attempt to put my finger on the pulse of our country during this critical time.
At this particular time I have no one Particular person to grieve for, though there must Be many, many unknown ones going to dust I often recall this verse by Elizabeth Jennings from her poem In Memory of Anyone Unknown to Me when I view images that cause
I often recall this verse by Elizabeth Jennings from her poem In Memory of Anyone Unknown to Me when I view images that cause my heart to ache, that force me to empathize and consider the threads that join together our collective stories. The images in Matt Eich’s newest monograph, I Love You, I’m Leaving, published by Ceiba Editions, weave these threads into a complicated yet tender, semi-fictional portrait of a family enduring the chaos and elation of life. Every photograph is steeped in a familiar, heavy kind of tension that can be recognized by any viewer. We are invited to experience at once both pain and joy, love and frustration, closeness and distance, sharp reality and fleeting memory. Eich uses his camera to grasp at the apparitions of human experience, in his words, wrestling fragile memories into a permanent state. Everything from the cover image of a half-erased chalkboard, to the cyclical nature of the book sequence, echoes Eich’s attempts to construct something concrete from the intangible, creating at once a book object that feels both uniquely personal and profoundly universal.
Matt Eich I Love You, I’m Leaving [ EPF 2017 – FINALIST ] My introduction to photography was in childhood, as my grandmother was dying of Alzheimer’s disease. The hopelessness of …
My introduction to photography was in childhood, as my grandmother was dying of Alzheimer’s disease. The hopelessness of her plight triggered something within me, and when my grandfather handed me a camera, making photographs became a way of stabilizing the insecurity of memory and accessing emotional resonance. If we are at risk of forgetting too much of our world, and ourselves, photography is the antidote.
Life in Ohio's proud but economically abandoned small towns
Just over a decade ago, Matt Eich started photographing rural Ohio. Largely inhabited by what is now known as the “Forgotten Class” of white, blue-collar workers, Eich found himself drawn to the proud but economically abandoned small towns of Appalachia
Matt Eich: More than a decade ago, I arrived broken hearted in the Appalachian region of southeast Ohio. I was fascinated by the haunting hills, the winding roads, and found myself photographing everything: the smokey bars, the strip mines and in the homes of these forgotten communities.
One day, while wandering a small village in southeastern Ohio, I stumbled on a rugged-looking man and his two sons cleaning up muddy dirt bikes at a car wash. Most of the folks I had encountered up until this point were incredibly distrustful of outsiders
Matt Eich: One day, while wandering a small village in southeastern Ohio, I stumbled on a rugged-looking man and his two sons cleaning up muddy dirt bikes at a car wash. Most of the folks I had encountered up until this point were incredibly distrustful of outsiders, so I was immediately drawn in by his open demeanor. He seemed just as curious about me as I was about him.
Photographers doing personal projects on social issues that often go overlooked received $10,000 each today from the 2015 Getty Images Grants for Editorial Photography.
Matt Eich, 29, received his second Getty grant for his project on poverty, heroin, and the oil and gas industries in southeastern Ohio. It is a continuation of his work from 2006 to 2012 in the area and will be published in the book “Carry Me Ohio” by Sturm and Drang next year.
I first met Matt Eich in 2011 when we were on a three-person panel at the Savannah College of Art and Design. I had long admired his work and accomplishments when I discovered how young he was and that he had been helping support a beautiful family of fou
His photographs are made with an abundance of affection, curiosity, and integrity, no matter where he is or who he is photographing.
A startup called Viewfind is trying to change all that. A newly launched Kickstarter from the company is trying to raise $25,000 to produce five long-term documentary projects from Sara Naomi Lewkowicz, Ruddy Roye, Beth Nakamura, Benjamin Lowy and Matt Eich.
Matt Eich Sin and Salvation in Baptist Town [ EPF 2014 SHORTLIST ] For the last four years I have been drawn to Greenwood, Mississippi like a moth to a flame. Since 2010, I have explored a complex …
After years of making documentary images, I have grown frustrated with what photography is, and more interested in what it could be. I started making 6×7 images, a mixture of landscapes, documentary photographs, and most importantly, collaborative portraits. In this work I begin to blend these different representations of place with an emphasis on creating work that is less about my perspective as an outsider, and more about how the people I am photographing wish to be portrayed.
Matt Eich is a young American with a passion for photographing the people of the land that he calls home. Having recently exhibited his series, The Invisible Yoke, in New York, Alia Thomas caught up with him to find out more about photographing the American Condition.
Virginian photographer Matt Eich examines the world of Louisiana "gator country," capturing those who hunt, farm, and live off of the scaly, prehistoric creatures of the deep South. Considered the largest animal in North America, the centuries-old industr
Virginian photographer Matt Eich examines the world of Louisiana “gator country,” capturing those who hunt, farm, and live off of the scaly, prehistoric creatures of the deep South
Last week, the Virginia-based photographer Matt Eich hosted The New Yorker’s Instagram feed from Greenwood, Mississippi, which he has been documenting for the past several years, for a project about the town’s race and class disparity.