As part of this year’s Emerging Photography Awards, Feature Shoot is offering two major exhibition opportunities to up-and-coming photographers of all genres working across the world. Three to five photographers…
Beyond her career as a leading editorial and portrait photographer Cheriss May is also the current President of Women Photojournalists of Washington, an organization fostering success for women in photojournalism and educating the public about the role of women in the field. She’s also an adjunct professor at her alma mater, Howard University, where she teaches visual communications. Read on to learn more about May’s work and her hopes for the future of the industry.
A quarterly print publication of top notch photojournalism for $300 per year? Seasoned photojournalist Kenneth Jarecke believes there’s a market for it and has launched The Curious Society to prove his point. Also in the show: Congress passes the CASE Ac
His decades-long project of reportage in graphic form works like oral history—bearing witness to the historical traumas of his subjects.
That honesty is a crucial part of Sacco’s decades-long project. Whether covering the lives of Palestinians in the occupied territories, Bosniaks and Serbs in the former Yugoslavia, or the Dene, he seeks out difficult and painful stories and tells tales of war and oppression that many people may not want to hear. Sacco’s oeuvre is built on using words, images, and a potent combination of the two to make visceral the realities of historical trauma. As Hillary Chute wrote in her 2016 book, Disaster Drawn, his work “is about an ethics of attention, not about producing the news.” And as a white Western man, he’s keenly aware of the power his attention holds.
“This amazing compendium of photographs celebrating the Golden State is truly a love letter to California. One hundred and ten photographers offer intriguing photographs and perspectives on our special sliver of the west coast. At a time of Covid, wildfi
It is a brave individual who is willing to take on a visual exploration of the entire state of California, especially a state that has landscape ranging from the sublime to the more sublime–landscape, people, and places that sit along a spectacular coastline, landscapes that include iconic National Parks and mountain ranges, landscapes that move across deserts and fields of agriculture. But alas, artist and curator Michael Rababy took it all on, and the result is a new book, California Love: A Visual Mixtape, showcasing a stunning collection of work by 110 California-based photographers in 320 pages with 608 images. The book reveals a shared appreciation and alignment for all that makes this west coast state the storytelling, dream-holding place that it is. The images are as varied stylistically as the state is geographically, and reflect the people, places, and personality that help define California.
Our world was convulsed with social unrest, violence, racism, incompetent leadership, unprecedented corruption of the highest office in the land in America, earthquakes, horrible wildfires in multiple places around the globe, and a global pandemic made worse through failed leadership in a number of countries. Pandemics are by their very nature, possible every year given the realities of biology, but this pandemic did not have to be this bad.
The Tribune’s photojournalists — Trent Nelson, Leah Hogsten, Francisco Kjolseth and Rick Egan — captured it all. They put their health at risk to create stunning images that showed our humanity and events that thanks to them we’ll never forget.
The newsletter service is a software company that, by mimicking some of the functions of newsrooms, has made itself difficult to categorize.
The subscription-based news industry, the founders speculated, could someday “be much larger than the newspaper business ever was, much like the ride-hailing industry in San Francisco is bigger than the taxi industry was before Lyft and Uber.” These days, Substack’s founders, investors, and marketing materials all have different ways of describing the startup’s mission. Depending on which source you consult, Substack might be “reinventing publishing,” “pioneering a new ‘business model for culture,’ ” or “attempting to build an alternative media economy that gives journalists autonomy.” It is “writers firing their old business model” or “a better future for news.” Substack’s C.E.O., Chris Best, has said that the company’s intention is “to make it so that you could type into this box, and if the things you type are good, you’re going to get rich.” Hamish McKenzie, one of Substack’s co-founders, told me that he sees the company as an alternative to social-media platforms like Facebook and Twitter. “We started Substack because we were fed up about the effects of the social-media diet,” McKenzie said. Substack’s home page now reads, “Take back your mind.”