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From his pictures of wars and famines from around the world to his social documentary work in Britain, this retrospective draws together work from all aspects of this British photographer’s remarkable career
While overall hate crime dipped in 2020, hate crime against Asians increased dramatically in a number of cities around the country. That trend has unfortunately continued into the early parts of 2021, most visibly manifesting itself with the killing of 8
As the 24/7 cable news coverage receded, the Washington Post assigned Philadelphia-based freelance photographer Hannah Yoon to cover the aftermath with a more nuanced take on the lives of Asians and Asian-Americans in the local community. Her photos stopped me in my tracks because they looked and felt so different from other images I had seen.
Toni Lovejoy, Winner of the In Context Award A new exhibition recently opened online at the Center of Fine Art Photography that celebrates artists over the age of 50, with an eye on wisdom and history accrued over decades of living. Titled 30 Over 50 /In
A new exhibition recently opened online at the Center of Fine Art Photography that celebrates artists over the age of 50, with an eye on wisdom and history accrued over decades of living. Titled 30 Over 50 /In Context, the exhibition was jurored by gallerist Arnika Dawkins. Complete projects and bios are on the C4FAP site. There is a curator and artist talk with Arnika Dawkins and the award-winning artists on April 14th at 5 pm mountain time via zoom. Please join them by signing up HERE.
After repeated pandemic-related openings, closings, and reopenings at both SFMOMA and The High Museum of Art, Dawoud Bey's survey exhibition Dawoud Be...
Photographer Matt Stuart discusses his purist and uniquely playful approach to image-making as a guide for anyone interested in documenting their world.
Photographer Samuel Cueto recalls photographing fringe communities in Bangkok, Phuket and Pattaya over several years, where he encountered gang members living on the margins of society.
Photographers accounted for some of the hardest-hit professionals amid the coronavirus pandemic. During an incredibly challenging year both professionally and personally, many took the time to learn new skills and focus on personal projects. Now, in 2021
Today, we’re thrilled to release 45 Places to Find Photography Jobs in 2021, made in partnership with our friends over at Feature Shoot. We’re highlighting 45 places around the world where opportunities await. Browse job boards with full-time listings, websites for part-time gigs and social media groups specially curated for creatives. Uncover unknown creative networking platforms and sign up for newsletters design specifically for freelancers looking for work.
Relatives must be allowed to know the fate of their loved ones.
Ten years ago, on April 5, 2011, photojournalist Anton Hammerl was killed in Libya when loyalists to Libyan dictator Moammar Gaddafi targeted Hammerl and several other journalists he was traveling with. The assailants opened fire on them although they clearly identified themselves as members of the international media.
Fill The Frame, directed by Tim Huynh, follows eight contemporary New York street photographers and why the art inspires them.
Grounded by the pandemic, a travel photographer spent the year pedaling the roads around his home, resulting in a series of poetic self-portraits.
At the onset of the coronavirus pandemic, with travel restrictions in place worldwide, we launched a new series — The World Through a Lens — in which photojournalists help transport you, virtually, to some of our planet’s most beautiful and intriguing places. This week, Roff Smith shares a collection of images from around his home in southeast England.
Between 1972 and 1988, John Myers set out to capture unremarkable scenes within walking distance of his home in the Midlands to shine a light on what is typically ignored.
The feature length documentary FILL THE FRAME by Tim Huynh puts the viewer into the shoes of the street photographer in a cinematic, visceral way. It immediately demonstrates the boldness required of street photographers to step in front of their subjects
The London-based photographer is always up for a challenge, and her new book – made in lockdown and published by Art Paper Editions – proves just that.
Katie Burnett never thought she’d become a photographer. Instead, she found herself naturally gravitating towards art, making things in her spare time from a small town in Missouri. “I am very dyslexic so, for me, painting, drawing and making things were always what I excelled in at school,” she tells It’s Nice That
The security forces have arrested at least 56 reporters, outlawed online news outlets and crippled communications. Young people have stepped in with their phones to help document the brutality.
Another photojournalist shot that day, U Si Thu, 36, was hit in his left hand as he was holding his camera to his face and photographing soldiers in Mandalay, the country’s second-largest city. He said he believes the soldier who shot him was aiming for his head.
Since the early 1980s, Shabazz has captured the energy of street life and hip-hop culture in New York, making indelible images of joy, style, and community.
New York is a ghost town. The COVID-19 pandemic has brought the metropolis to a standstill. Many are scared to even leave their apartments to buy groceries. The globe-trotting photographer Jamel Shabazz is tucked away in his Long Island home, his “sanctuary.” Shabazz’s world is rocked daily by yet another phone call announcing the death of a loved one. It is a calendar of loss with which he is intimately familiar. He survived the 1980s crack era and the AIDS crisis, when so many friends from his Brooklyn neighborhoods—Red Hook and then East Flatbush—did not.
Magnum Photos member Peter van Agtmael shares his journey as a conflict photographer, and the importance of adopting an open, questioning approach to photojournalism.
While at Yale, van Agtmael also developed a more critical approach to the mythos of America he had consumed as a youth. His friends, Chesa Boudin, now the District Attorney of San Francisco, and Sarah Sillman, currently a staff writer at The New Yorker, shared their perspectives on “how power is used to manipulate people across the political spectrum into a status quo narrative of the nature of American power and justice,” helping him to see beneath the surface of things and find a new way to engage.
In 1981, Newsweek hired photographer Lynn Goldsmith to photograph Prince, an up-and-coming musician who was still years away from releasing his seminal “Purple Rain” album. Goldsmith’s portraits never ran, but she did own the copyright. In 1984, Vanity F
Upon Prince’s death in 2016, the Warhol Foundation licensed the Prince Series for use in a Condé Nast tribute magazine, and one of the images was used on the cover. Goldsmith tried to extract a licensing fee, but the Foundation accused her of a “shake down” and filed a pre-emptive lawsuit in 2017. The suit sought a “declaratory judgment” that Warhol’s images didn’t infringe upon Goldsmith’s copyright and were “transformative or are otherwise protected by fair use.” Goldsmith countersued for infringement.
A U.S. appeals court has ruled in favor of photographer Lynn Goldsmith in her copyright dispute over how Andy Warhol had used her portrait photo of
Photographer Stephan Gladieu reflects on his trips to North Korea, where he set out to make a series of portraits peeling back the curtain on what life is like for the average DPRK citizen.
In his recent manifesto, Jörg Colberg takes aim at three prominent photographers for their "visual propaganda."
That said, what are the “identical” mechanisms Colberg suggests that link these artists to their socialist-realist predecessors? Leibovitz, Crewdson, and Gursky produce a kind of capitalist propaganda that, like socialist realism, “does not aim to depict an actually existing reality but instead presents a code that can be read by its intended spectators.” Colberg derives his description of socialist realism from art historian Boris Groys, who suggests that this code entails stories about heroes, demons, transcendental events, and real-world consequences that serve the messaging needs of the powerful. In this formulation, Colberg’s neoliberal realists make images that perpetuate, or even celebrate, unjust power structures.