During the 2020 pandemic, when life was out of our control, restricted and confined, when we had to cope with shifted realities, many photographic artists found whole new ways to create work. We mined our personal lives, walked empty streets and photograp
Photographer Jennifer Timmer Trail considered the importance of this moment in time and realized there was an opportunity to create a historical archive of work created in during the pandemic. So she created Covid Pictures. She describes her intentions:
In memory of a child that I never knew. This reflection is dedicated to Carol Jenkins-Davis
I find myself combatively trying to embed myself in the images, memories and families of others. My initial hesitancy in this pursuit comes from ack
The sycamores I understand, each scale of their weathered bark is fit for a peelin’ from childish hands. Perhaps here and there a jackknife scratches into the tree skin an overture of young love. A rusted nail once precariously an iron protuberance is now enveloped by the same bark and it is sinking into the torso of the green and brown sycamore. The nail’s head now reminds me of an awkward bellybutton as the skin of the tree stretches to accommodate its mass before the tree’s invisible maw can work its iron victim from sight. It is a slow process and the casual observation of the sinking nail will give little up to the viewer, but over time and over repeat returns, the nail’s “progress” can be seen as a testament to the march of all things.
In fact, I had expressed my surprise about the Trump team being so inept at visuals many times on Twitter. Having thought about this for a few days, though, I now think I had had it all wrong. Or rather, what I had commented on was not an ineptitude to produce visuals per se. It was the ineptitude (or unwillingness) to produce the kinds of pictures we expected to see.
This week The States Project focuses on Rhode Island, a small but mighty bastion of photography, home to a host of significant photographers and well regarded institutions. Our penultimate States Project is curated by photographer Brian Ulrich, a major fo
Documenting his journey from Oakland to attend last year’s historic March on Washington, Kamal X’s monochrome images capture the love, power and strength of 2020’s charged summer of Black Lives Matter protests
I stumble a bit, me, the former Math major, when I try and do the 'math.' Last fall was fifty years: I arrived in Vietnam in October 1...
When I told John I was heading to Vietnam, he said to me… “do a story for me - call it Children of War…” I paused, then bagan to ask, “John, what do you want me to do… ?” and before I could finish the sentence, he said “No, no! You tell ME the Story. YOU’re the journalist, your pictures should show ME the story.” Over the decades since, I have been immensely glad for that teaching moment.
Susan Goldberg has been editor in chief at National Geographic for seven years. In the history of Nat Geo, which started in 1888, she is the 10th editor
Today, when everyone has a camera with them 24/7 (their phones), anyone can get lucky and make one great picture. We are looking for those photographers who can really craft a story: develop a unique idea, engage in the research, make compelling images, and build a powerful narrative across a series of photographs. We have core niches – among them, wildlife and the natural environment, archaeology, science, people, and cultures – and are always looking for photographers who are interested in these topics. But at its core, you do have to be able to take amazing photographs!
Twice a year, swallows cross the Sahara and the Mediterranean to reach sub-Saharan Africa and Europe. Observing their migrating journey, photographer...
This series is an experiment at the crossroads of artistic and scientific uses of photographic and musical mediums. Between formal rigor and subjective narration, the research deploys an approach where the swallow in flight, representing a vector of force, gives form and matter to an insatiable desire for freedom with the sky as perspective.
Australian photographer Trent Parke, a member of Magnum Photos and winner of four World Press Photo awards, returns after a five-year hiatus with his first project since 2015. His book Crimson Line is a meditation in scarlet on industrial pollution, creativity, and light.
His simple passion to document took him everywhere.
Corky Lee often described his life’s work as “photographing Asian Pacific Americans.” It was a simple passion that could take him anywhere. For nearly fifty years, New Yorkers never knew where they might run into Lee and his camera: a museum gala or a tenants’ rights meeting, construction sites or local laundries, youth basketball games or poetry readings, community fairs, concerts, or protests. Most often, it was somewhere along Mott Street, in the heart of Manhattan’s Chinatown, where his photographs of everyday life helped generations of Chinese Americans see themselves as part of a larger community. Lee died on Wednesday, at the age of seventy-three, of complications from covid-19.
Tennessee state lawmakers working together with the Sullivan County District Attorney's Office have introduced a bill to the state legislature that seeks
This new law would target those who are taking “embarrassing” or “offensive” images of people in public but would apparently not target general public photography. This new bill, which you can read here, would make it illegal to take a photo for the purpose of “sexual gratification or arousal.” This would apply to photos that would offend or embarrass the subject or are focused specifically on an “intimate” part of the body.