Hiroshi Sugimoto: Time Machine at the Hayward Gallery, London, marks the largest retrospective to date of the internationally renowned Japanese artist. 1000 Words Editor in Chief Tim Clark speaks with Director Ralph Rugoff about the exhibition making process, stretching and reshaping our notions of time in photography, the artist’s affinities with other art forms and why Sugimoto’s approach can be framed through a ‘lens of doubt’.
This week, we will be exploring projects inspired by place. Today, we’ll be looking at Anna Reich’s series This Land: Landscape, Memory, and Identity on the Plains. Sioux Falls, South Dakota, has a small but spirited art community. Anna Reich is one of th
Benjamin Briones Grandi‘s sleek series of photomontages, Memories, transforms Chile’s awe-inspiring geography into surreal dream works that speak to the profound spiritual essence of the natural world. From lush forests to arid deserts, the Chilean photog
This week we are looking at the work of artists who submitted projects during our most recent call-for-entries. Today, Mark Kitsawaeng and I discuss Forgotten Space. Phanuphan (Mark) Kitsawaeng is a photographer from Thailand, currently living in Los Ange
This week we are looking at the work of artists who submitted projects during our most recent call-for-entries. Today, Christine Back and I discuss PV Revisited. Christine Back is a New Jersey-based photographer and educator who grew up at the Jersey Shor
This week we are looking at the work of artists who submitted projects during our most recent call-for-entries. Today, Virginia Villacisla and I discuss Presencio & The Rural Kids. Virginia Villacisla was born in Burgos, a medium-sized town in northern Sp
Turning his lens on people who have chosen to live in remote Poland, Mateusz Kowalik’s award-winning book explores the lure of the wild and the tensions that arise when one turns their back on the comforts of modernity
Utilizing the latest cryptographic methods and decentralized web protocols, Reuters, Canon, and Starling Lab suggest that the pilot program can “ease concerns about content’s legitimacy.”