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    lenscratch says:

    It doesn’t matter what body of work Lori Waslchuk put forth to win the Aaron Siskind Fellowship, her numerous bodies of work all require our attention.


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    Kevin Dart says:

    One of the best things about the internship was how closely I got to work with Harley Jessup, whose work had already had a big influence on me.  The most valuable lesson I learned from him was how to get work done even on days where you don’t “feel it.” He made us fill up giant bulletin boards with artwork and I got used to pinning up drawings I wasn’t totally comfortable with just to fill the space.  The funny thing is that once the artwork is pinned up you feel less bad about it, and it’s easier to visualize what else needs to be done and what holes should be filled.  Right when I got back from Pixar, I bought a big bulletin board for my studio and I still pin up as much work as I can to keep myself moving forward all the time.


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    Lance Rosenfield – burn magazine says:

    With ‘Thirst for Grit’ I offer a vignette of modern-day, small-town rodeo cowboys in Texas. I traveled endless hot and dusty miles crisscrossing this oft-lonely expanse, following the itinerant ways of these men who live a life of legend and little. They share a special bond, a camaraderie with one another that seems to center on respect, loyalty and toughness. While mostly well-mannered gentlemen, rodeo riders can also be as wild and rough as the beasts they ride, and sometimes skate the edge of social rule when it comes to the bottle and women.


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    PHOTOGRAPHERS SPEAK says:

    Düsseldorf-based photographer Andreas Gefeller deftly manipulates viewers’ perceptions of visual “truth” in discrete yet complementary series that reflect a multiplicity of themes and concerns—nuclear disasters, mankind’s environmental hegemony, and global transformations of public and personal space, to name but a few. In so doing, he reveals intellectual and spiritual truths about ourselves and or relationship with the environments we adopt and adapt. His latest series, titled “Supervisions,” pushes this aesthetic to a surprisingly disorienting degree.


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    Little People – a tiny street art project


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    lens culture says:

    Photomonth in Krakow is one of the leading European photography festivals and one of the largest ongoing cultural events in Poland. In May 2009 the 7th edition presented over 30 individual and collective exhibitions throughout the charming city, in galleries, museums, cafes and post-industrial spaces. I got there late this year, and decided to stay three extra days, and I still didn’t get to see everything I wanted to see.


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  • dispatches says:

    Is the current style of photojournalism stale? Does the current trend for commenting on the aesthetics of photojournalism detract from the stories that photographers want to communicate? What can photojournalists learn from the art world?

    Comments from Gary Knight, Tim Hetherington, MaryAnne Golon, and Ashley Gilbertson.
    Filmed on 22 May 2009 at VII Gallery, Brooklyn


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    Scott Strazzante says:

    My current excitement for street photography continued but instead of exploiting the color of day, I felt in a black and white mood leading to most of my photographs depicting the loneliness of the night.


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  • washingtonpost.com says:

    Facing perhaps 10 years in a labor camp, Laura Ling and Euna Lee, TV reporters accused of illegally entering North Korea and committing unspecified “hostile acts,” go on trial Thursday in Pyongyang in a case that has become part of a nail-biting face-off this spring between North Korea and much of the rest of the world.


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    Lens Blog – NYTimes.com says:

    There was not just one “tank man” photo. Four photographers captured the encounter that day from the Beijing Hotel, overlooking Changan Avenue (the Avenue of Eternal Peace), their lives forever linked by a single moment in time. They shared their recollections with The Times through e-mail.


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  • RESOLVE — the liveBooks photo blog says:

    The Foundry Photojournalism Workshop began in 2008 when Eric Beecroft, a teacher and photographer, discovered a blank spot in the array of workshops being offered to photojournalists — one that emerging and international shooters could afford. He and his team organized the first Foundry in Mexico City and got an impressive array of instructors to sign on, including Paula Bronstein, Stanley Green, Ron Haviv, and Stephanie Sinclair. We talked with Eric about this year’s workshop, in Manali, India, from July 26 to August 1, why it is important to include local photographers (South Asian shooters get a 50% discount) and how students can get the most out of the workshop — or any workshop, for that matter.


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    Gadget Lab | Wired.com


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    Prison Photography says:

    When working with the incarcerated youth of Washington State, Steve Davis used the camera in different ways and to different ends. He conducted his own long-term portrait project concurrently with workshops offered to the detained youth.


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    Parker Eshelman just put up a bunch of new photos in several posts. This one rules. Check out the others, too.


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    David Burnett says:

    There is a story, probably true, about two well known Magnum photographers, a story going back a couple of decades, I’m sure. Henri Cartier-Bresson, one of the founders of Magnum, was greeting Bruno Barbey, just five years older than myself, at one of the meetings in Paris. The two embraced in that modern European manner, hands about each other’s torso, when suddenly Cartier’s hands went from a gentle touch to something more akin to a frisk. And within a few seconds, he pushed back from Bruno, and exhorted, “But where is your CAMERA?!”


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  • dispatches says:

    Stephen Mayes introduces the discussion topics, including the motive and the intent of photographers who cover war, and the responsibility of the audience viewing the resulting images to learn, react, and engage. Tim Hetherington and Gary Knight continue by debating the crisis in photojournalism — is there one, and if so, what is it?


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  • Lens Blog – NYTimes.com says:

    Tim Hetherington is a British photographer, writer, filmmaker and television journalist who has captured the chaos and tragedy of the Liberian civil war in his new book, “Long Story Bit by Bit: Liberia Retold” (Umbrage Editions, 2009). He has combined reflective, square-format documentary photography with oral testimony and memoir.


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    David Lynch’s INTERVIEW PROJECT
    via BoingBoing


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  • KOKOGIAK says:

    Hello blog folks, it’s been a while. One year to be exact… one long crazy year. This time last year, I announced my project called The Big Picture, hoping, of course, that it would do well. It has really blown me away how well it has done. I will happily take some of the credit, but much of the success belongs to the photographers who consistently deliver amazing imagery that makes choosing and editing both a pleasure and a difficult task.


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  • Rob Galbraith says:

    Canon has released a firmware update for the EOS 5D Mark II that enables manual control of ISO, aperture and shutter speed while the camera is set to capture video. Firmware v1.1.0 also disables the depth of field preview button when playing back photos or accessing the on-screen menus and corrects various bugs.


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