The photographers in this exhibition are some of the best in the world. Uriel Sinai and Amit Shabi have been awarded in the World Press photography competition, Jafar Ishtyeh and Mahmud Hams have won the Prix Bayeux war photography prize and all of the other photographers have received various awards and accolades.
This exhibition would not have been possible without their generosity and their help in suggesting and recruiting the other photographers – even ones from “the other side.”
I was disappointed today to read a report by my friend Troy Holden, who works on the Caliber blog over a run in that he and another photographer had with a group of security guards at 555 California Street. I’ve known Troy for a while and we’ve been out shooting alot together. According to Troy, security guards there objected to him and a friend photographing the building based on “safety” issues. When challenged on the photography ban, according to Troy, one of the security guards asked him if he’d like to be punched in the face and threatened to break his f***ing camera.
The Obama administration on Thursday tried to make “pay czar” Kenneth Feinberg available for interviews to every member of the White House pool except Fox News. But the Washington bureau chiefs of the five TV networks decided that none of their reporters would interview Feinberg unless Fox News was included.
The 2009 United Nations World Drug report, released earlier this year, notes that 2009 marks “the end of the first century of drug control (it all started in Shanghai in 1909)”, and that the illicit drug market worldwide has now become a $320 billion-per-
The 2009 United Nations World Drug report, released earlier this year, notes that 2009 marks “the end of the first century of drug control (it all started in Shanghai in 1909)”, and that the illicit drug market worldwide has now become a $320 billion-per-year industry.
It’s been just over a year since we shut down the PhotoShelter Collection – our ill-fated attempt to bring diversity into the stock photography market while giving the photographer the majority of sales. At the time (and probably still), many photographers felt duped, and hurt that we didn’t give it more time to mature. But now that we’re many months away from that traumatic event, I can restate the following: Stock photography sucks. I’m not talking about the people who shoot it. I’m talking about the state of the industry. But let’s digress for a moment.
I get asked all the time, during workshops, in e-mails, in private messages, what words of wisdom I would give to a new and aspiring photographer. Here’s my answer.
In your review of “Mind’s Eye, Mind’s Truth” you write, “Curtis thinks all manipulation is the same.” That he wants to lump all the F.S.A. photographers into one big pile and, in particular, he wants to prove that Walker Evans is guilty of manipulation.
“Beware the Cost of War,” a show opening Friday at the Blackall Studios in London, will be conspicuous for many reasons — one of them being what it lacks: captions and credits next to the images, which were taken both by Israeli and Palestinian photographers.
For day after day, month after month, following his imprisonment in Iran on June 21, documentary filmmaker and NEWSWEEK correspondent Maziar Bahari did not see the face of his interrogator. Bahari, 42, was blindfolded or faced a wall as the accusations and questions—often it was hard to tell the difference—kept coming at him. And always the interrogator told him the same thing: “No one on the outside cares about you. Everyone has forgotten you.” Nothing could have been further from the truth.
This morning at Photo Plus, VII Photo director Stephen Mayes hosted “The New News: Redefining the News Agenda in the 21st Century,” a seminar that illuminated some of the new ways photojournalists are working to reach audiences who get their news not from print but through online channels.
Years ago, Joseph Rodriguez bought a used camera and a roll of Tri-X, Sandra C. Roa reports, and began documenting marginalized families. He’s still at it.
Joseph Rodriguez, 58, is what you might call an old-school cat, a straight talker who is a bit rough around the edges. As a photojournalist, his past is his starting point and his palette.
Lensbaby has announced the addition of Fisheye and Soft Focus lenses to its Optic Swap system, offering focal lengths of 12mm and 50mm respectively. Both are compatible with Lensbaby’s Composer and Muse body units, and Soft Focus can also be used with t
Adobe’s release of Lightroom 3 as a public beta is not the first time that the company has used this technique, nor is it likely to be the last. It has turned out to be a very canny marketing strategy as well as a means of getting wide-ranging user input into a new product’s features and robustness.
Before the Pakistani military launched its offensive against Taliban militants in the rugged tribal region of South Waziristan, Gen. Ashfaq Pervaiz Kayani, the powerful Pakistani army chief, called the region an “intelligence black hole.” For journalists — from both the print and electronic media — the region is also close to an “information black hole.”
Taking a cue from the recent announcements of see-in-the-dark cameras from Nikon and Canon, Adobe’s newly announced Lightroom 3 beta photo-editing software will clean up the leftover noise from these night-vision pictures. The beta, which is free to downl
This morning at Photo Plus, VII Photo director Stephen Mayes hosted “The New News: Redefining the News Agenda in the 21st Century,” a seminar that illuminated some of the new ways photojournalists are working to reach audiences who get their news not from print but through online channels.
[slidepress gallery=’carlbower-chicabarbie’] Hover over the image for navigation and full screen controls Carl Bower Chica Barbie play this essay The pageants of Colombia are a p…
The pageants of Colombia are a petri dish for examining the nature of beauty and how we cope with adversity. Set against a backdrop of poverty, crime, and the hemisphere’s longest running civil war, nowhere are the contests more ubiquitous and revered than in Colombia. In these carefully scripted shows of fantasy, beauty as a concept, commodity and singular goal is stripped to its raw elements. There is no ambiguity or pretense that anything else matters.
NSFW: Some images in this gallery contain explicit content. Michael Jang’s portfolio is an eclectic mixture of gripping moments, shot with skill and attitude. Luminaries such as David Bowie, Johnny Rotten and Richard Pryor are caught with their guard down
Michael Jang’s portfolio is an eclectic mixture of gripping moments, shot with skill and attitude. Luminaries such as David Bowie, Johnny Rotten and Richard Pryor are caught with their guard down. Frenetic explosions are fixed in time: Penelope Houston of the Avengers whipping her hair; Fritz Fox of The Mutants collapsed on stage (above); the body of San Francisco supervisor Harvey Milk being wheeled out of City Hall.
JAMES CURTIS: My favorite example is Walker Evans moving furniture around inside the sharecroppers’ cabins in Hale County, Alabama. I was talking to Alan Trachtenberg [a professor of American history at Yale]. And Alan said, “Well, when your article on Evans came out, I was mad as hell.” And I said, “Well, what were you mad about?” And he said, “Well, what difference does it make if he moved furniture around inside the sharecroppers’ cabins?” And I said, “Because Evans has been regarded as the high apostle of documentary honesty, and he said he never did things like that.” And afterwards, Trachtenberg replied, “Oh hell, we all know he was a liar.”
A HUGE flood of email is currently taking down our corporate network here at Canon USA as people write in to complain about why we told Vincent Laforet, eternal peace and blessings be upon him, to …
But let’s be clear, the paradigm shift was niche. A hardware paradigm had shifted — not so much a creative one. Yes, the ante has been upped for professional D-SLRs to include video capture capabilities. But has it really resulted in either a 1) creative paradigm shift or a 2) commerce paradigm shift? In my opinion, no.
