The Colombian photographer Federico Rios Escobar spent a decade in the Colombian jungle with the FARC.
In his book Verde, published by Raya Editorial, Federico Rios Escobar chronologically lays out his images from his life in the jungle: “I have lost track of the number of times I hung my hammock and took it down. It was my home in the jungle for many years, whether it was cold or hot, rain or shine. I was in it when sick, and it was my refuge in moments of anxiety. Some nights, I looked toward the sky with desperation and fear. Other nights I fell asleep confident in the hope of peace.” Federico followed the guerrillas on their journeys, through moments of tension and joy; he photographed families, budding loves, mothers, and their children. He documented the daily life of these women (40% of FARC fighters were women) and men who, round the clock, lived on high alert. In particular, he took portraits of the four guerrilla fighters who survived from the creation of the movement.
She was an artist who was studying anthropology when she became an activist in the civil rights movement and a rare woman to document Black life in photos.
“I had a quest to show what the average person was doing,” she told the Southern Oral History Program in 2011, part of a collaboration with the Smithsonian National Museum of African American History & Culture. “I had a quest to show our culture in total, not just a little bit, or negative stereotypes.”
A Muntagna | Emanuele Occhipinti Mount Etna and the surrounding area is an island within an island. It’s the highest active volcano in Europe, a majestic presence that touches all of Sicily and all…
“‘A Muntagna” is a long journey around Mount Etna and the surrounding area, telling the deep bond that unites the volcano to the women and men who live there, and the extraordinary normality of lives lived in the presence of such a giant, which at any time can generate seismic events. An ambiguous relationship, halfway between the most total devotion and the constant fear for it. They say that when an eruption ends, Etna is already preparing the next one: it’s the eternal confrontation between the volcano and the human beings who have decided to rely on his benevolence.
For many photographers, the pandemic has been a time to step back and take stock of their lives and work. It’s provided opportunities to get more organized, look for inspiration and make adjustments to their businesses. For Gunther Deichmann, a PhotoShel
For Gunther Deichmann, a PhotoShelter member and photographer based in the Philippines, inspiration was waiting for him just outside of his apartment in Manila. Over the last two years, Gunther has compiled more than 18,000 images from a single location: his 10th floor balcony. “Views From My Balcony” is a body of work that turns seclusion from COVID-19 lockdown and restrictions into something magical. It stands as proof that art can be created anywhere, even in the face of monotony.
In my own teaching, I often describe photographs as gifts: they are given to you if you’re able to spot and then take them. This book is a gift. If this (or any other) article spotted it, all that’s left for you is to take it.
Philip Montgomery shares the stories behind nine images in his new photobook "American Mirror."
As Patrick Radden Keefe writes in American Mirror, “Montgomery’s photographs capture the reality of Americans in crisis, in all our flawed, tragic, ridiculous glory.” Here, we look at the stories behind nine of Montgomery’s iconic photographs.
When war feels close to home, images function differently.
Even the most horrifying war photographs may leave you with the odd sense of being an unwanted tourist. It is a dreadful tourism, at a terrible cost, but almost as soon as the eye notices the carnage and destruction, it starts registering small and perhaps irrelevant details. The dirt is a darker red, the trees a deeper shade of green, the architecture and dress are different, as are the street signs, the pavement and the cars.
The World Press Photo Contest recognizes the best photojournalism and documentary photography of the previous year. This year, the winners were chosen out of 64,823 photographs and open format entries, by 4,066 photographers from 130 countries. World Pre
Global jury chair Rena Effendi said about this image: “It is a kind of image that sears itself into your memory, it inspires a kind of sensory reaction. I could almost hear the quietness in this photograph, a quiet moment of global reckoning for the history of colonization, not only in Canada but around the world.”
He chronicled the fashion shifts of stylish young Black New Yorkers in the 1980s and ’90s in photographs celebrated at the Bronx Museum of the Arts.
When Jamel Shabazz was a teenager in Brooklyn, a gang member opened his eyes to the power of photography. Shabazz was introduced by a junior high school friend to one of the Jolly Stompers. During Shabazz’s visit to his apartment, the Stomper, who was only 18 or 19 himself, took out thick photo albums with pictures of his confederates. “They had a style I had never seen before,” Shabazz said. “They wore suits, and their pants had creases. You would never know they were in a gang.”
Mimi Plumb used to live on the edges of the city where the rents were cheap. Nearby, on the summit of the hill, were folded layers of radiolarian cher...
Plumb’s life was marked by nights out dancing at the Crystal Pistol in the Mission, or listening to a punk polka band at the Oasis. Neil, the clarinet player, wore faux leather naugahosen, with spikes protruding from his head. Sometimes they played pool at Palace Billiards. At the Exotic/Erotic Ball, a bird man and a nurse hid in the corners. A steely-eyed silver man in his tuxedo stared back at Plumb from behind his mask, the camera flash shining a light on him.
Two photographers share how Michele McNally, who shepherded a new age of photography at The New York Times, touched their lives and work.
She wanted to teach me photo editing to better inform my photography. For months, we met at 7 a.m. to look through 75 years of Fortune magazine photography at what is now called the Life Picture Collection. She’d explain to me her vision of a successful frame, what she looked for in a photographic composition and why some images had become icons. We’d sift through the hundreds of folders each morning before the workday began.
The photographs in Ross McDonnell’s book Joyrider are a coming-of-age story, one where everything and everyone are constantly changing in the midst of...
A cinematographer by trade, McDonnell began photographing young residents of the Ballymun housing estate in Dublin, Ireland, in 2006 after studying film at university. A failed government social experiment in the process of being torn down, Ballymun had become a symbol of Dublin’s underclass, ravaged, as the book explains, “by successive drug epidemics and inter-generational malaise.”
Since 2005, nearly 2200 newspapers across the United States have shuttered, and newspaper jobs have plummeted nearly 57%. Photojournalists have been hit hard by the cuts. But now a new business model is hoping to reverse the trend—and not just support pho
Exodus | By Nicolò Filippo Rosso In Latin America, lack of job opportunities, limited access to education, and political corruption have persisted for generations, fueling cycles of violence and di…
As I documented migrants’ journeys, I kept in mind the diversity of reasons that push each population to emigrate. Still, I also understood how the political persecutions, the impunity, and the problematic access to primary rights such as food and healthcare broadly affect Latin America’s societies, provoking mass migrations across the continent. Decades of civil war, endemic poverty, or violence make it hard for migrants to find better conditions than those they are fleeing.
The oppressive drone laws in Texas have been found to be unconstitutional.
The drone law in question amounted to a broad ban on drone use for a wide range of purposes that included journalism. The NPPA says that it stood against the law back when it was first proposed in 2013 and, at the time, urged the legislature to reject the bill.
Photographing hypermodern urban landscapes through the ghostly haze of LEDs and smog, Mårten Lange’s new work from China shows a country haunted as mu...
Made in 2018 and 2019 in the six largest cities of the country, the series depicts urban places that have expanded rapidly in recent years and that appear both futuristic and suspended outside of time. Following Lange’s long-time fascination with ideas of utopia and dystopia, this is his most extensive work to date