‘No Home from War: Tales of Survival and Loss’ is the first Italian exhibition by Irish photojournalist Ivor Prickett. Supported and staged by fashion house Max Mara founder Achille Maramotti’s Collezione Maramotti, he describes trying to capture the fall
Fifty years ago, Augusto Pinochet staged a violent coup in Chile. Evandro Teixeira went to the capital and captured startling images of soldiers, protesters, and the funeral procession of Pablo Neruda.
Honoring many of the women who inspire us daily — photographers, artists, writers, designers, researchers, poets, curators, art directors, editors, visionaries
“Borderlands, an American Journey” by Francesco Anselmi Along a border at the center of the political and journalistic debate, “Borderlands” aims to develop a narration capable of going…
In recent years, artificial intelligence engineers have used millions of real photographs—taken by journalists all over the world, and without those journalists’ permission—to train new imaging software to create synthetic photojournalism. Now anyone c
His photos, which he wrote were meant to “bring my viewers deep into what I am seeing,” reveal parts of the city some residents say they had forgotten.
In a year of war, New York Times photographers have reported from the front line, from cities and villages and in the footsteps of refugees. These pictures stayed with them.
Sachi Cunningham is one of the few photographers who shoots surfers at Mavericks while swimming. “You don’t want to get the same shots as everyone else on the boat,” she said.
In images made before the Russian invasion in 2022, three photographers preserve social memory—and witness a nation striving to define its sovereignty.
For those of you who may remember the days when your elementary school teacher instructed you in the “Duck and Cover” air raid drill triggered by a lonely siren where you dove under your desk, covered your head with your arms and were instructed not to lo