From Driving While Standing Still – The Morning News:
Begun in 1989, Andrew Bush’s “Vector Portraits” combine performance with portraiture and a disconcerting measure of intimacy in a series where the artist took portraits of other drivers—often at 70 miles per hour—with a medium-format camera attached to the passenger side of his car. An exhibition will open on Thursday, April 23 and close on Saturday, June 27 at Yossi Milo Gallery, New York. The exhibition is presented in conjunction with Julie Saul Gallery, New York, where additional large-scale work from the “Vector Portraits” series will be on view.
As my career moved along, I took more and more creative chances. I started using my wide angle lens exclusively and began to admire the work of documentary photographers. I began to understand that there was more to photography than sports and spot news.
In 2001, world-renowned photojournalist Reza Deghati (known simply as Reza by most), founded Aina, an international non-profit organization based in Afghanistan that cultivates a well-trained independent media in order to promote democracy and to help heal post-conflict societies.
Luigi Ghirri was born in 1943 and died in 1992, at the age of 49. During his short life he revolutionized Italian, if not European photography, but for a number of reasons he is barely known in the States. However, all this should change now that Aperture have published the first American monograph of his work titled “It’s Beautiful Here, Isn’t It …”.
CLICK NOTE: At first I thought that photo of the award hand-off is so awful… I’d better find something better. Then I thought, no, it’s so bad it’s awesome!
From photo-eye:
More info can be found on the Hasselblad Foundation website including the transcript from the live chat with Robert Adams that took place earlier today.
About the basic idea of The F Blog
Love of photography is the essential ingredient. The photographic image is powerful – an equally important link for communication between people as the written word or language. We want to present and promote good photography by offering a platform for photographers to show their work.
From Gotcha TV – Fox News Crews Stalk Bill O’Reilly’s Targets – NYTimes.com:
Mr. Hoyt, one of more than 50 people that Mr. O’Reilly’s young producers have confronted in the past three years, said the interviews were “really just an attempt to make you look bad.” In almost every case Mr. O’Reilly uses the aggressive interviews to campaign for his point of view.
From Pirates Beware: Soon Rifles That Kill from a Mile Away – TIME:
The highly-classified EXACTO program began a year ago, when the U.S. military’s band of scientists and engineers at the Defense Advanced Research Projects Agency (DARPA) — which played a key role in the creation of both the Internet and GPS — let the military-industrial complex know it was seeking a supergun. “The ability to more accurately prosecute targets at significantly longer range would provide a dramatic new capability to the U.S. military,” DARPA’S solicitation for bids said. “The use of an actively controlled bullet will make it possible to counter environmental effects such as crosswinds and air density, and prosecute both stationary and moving targets while enhancing shooter covertness.”
From State of the Art: A Different View on Iraq by Jehad Nga:
The New York Times website has some photographs that deserve to be seen. The pictures were made by a young photographer named Jehad Nga (“Inga”), who was one of American Photo’s Emerging Artists in 2007.
From Shepard Fairey, In Latest Legal Defense, Argues AP Copied His Poster:
The latest filing by Fairey’s attorneys includes 12 examples of images from the AP photo archive that show other works of art, including depictions of Fairey’s Obama poster.
Jesse Epstein interviews retouchers and talks about, among other things, the French government’s desire to mandate the disclosure of image manipulation.
From THE OXFORD PROJECT – Peter Feldstein & Stephen G. Bloom:
In the spring and summer of 1984, Peter Feldstein used a red marker to make a sign announcing that he wanted to take free portraits of everyone in Oxford, Iowa (pop. 673).