After being kidnapped in Afghanistan, David Rohde, a Times reporter, and two Afghan colleagues were moved into the tribal areas of Pakistan. The second installment in a series offering Mr. Rohde’s account of his captivity.
In the 1930s, a photo of a cow skull leads to charges of photo-fakery and involves FDR, the Farm Services Administration and an enormous amount of press.
The editor of The Guardian in London, Alan Rusbridger, and other Twitter users worked around a gag order that protected Trafigura, the shipping company.
Firmware Version 1.0.9 incorporates the following fixes. Improves AF accuracy during Live View shooting. Corrects a phenomenon where in rare instances, mo
A show at the United Nations about victims of sexual violence in Congo conceals identities but elevates the victims to a size larger than life, as Kassie Bracken finds.
An invitation has shown up online that hints at a new professional Canon DSLR, the 1D Mark 4. The 1D Mark III that it would replace is Canon’s oddball pro-level 1.3x crop-frame sensor DSLR (Canon has two different crop-frames in addition to its full-frame
I grew up in newspapers. I learned my photography in newspapers. But with those lessons came rules and boundaries. I had placed myself in this proverbial box dictated by the hierarchy of gatekeepers who think they know what the readership wants to consume. The very same are now watching their newspapers fall apart because change was not on the menu.
But you couldn’t tell me this. It was obvious, especially now when I look at my work. So structured. I hate it. I have to fight against the structure still. The cleanliness of the frame is like an infestation of termites. You don’t always notice it until it is ruined.
He was born July 11, 1927, in Bloomington, IN, and graduated from Indiana University there. He was a freelance photographer for more than 50 years in western Pennsylvania where some of his elite corporate clients included U.S. Steel, Westinghouse, and Heinz.
[slidepress gallery=’awrnw-cuba’] Hover over the image for navigation and full screen controls Alex Webb & Rebecca Norris Webb Violet Isle play this essay Q&A with DAH &n…
I’ve always thought this Canadian Club print campaign was genius, partially because of the vibe but mostly because I couldn’t figure out if the images were 40 years old or shot recently. When I discovered that Liz Miller-Gershfeld, VP and Senior Art Produ
Arrest 1 (1965) by Bridget Riley I’d like to propose an alternative method to discuss issues of race in visual culture and the photographic industry, but first some preliminaries. HUGO AND TH…
Again and again similar images are repeated, with only the actors and settings changing. Grieving mothers, charred human remains, sun sets, women giving birth, children playing with toy guns, cock …